Study the background footage you’re swapping in to ensure the lighting on actors naturally mirrors the lighting you’d expect from that type of footage. You’ll also want to light the green screen and your actors separately to avoid shadows. This will help further guarantee a cohesive green screen come editing time. When lighting from multiple angles, consider buying the same light twice or thrice instead of syncing all light sources. This kind of lighting will eliminate hot spots and shadows, guaranteeing your final product looks smooth and natural – so much so that viewers believe you indeed filmed in outer space!įor lighting, try diffusion filters and stick to one consistent type of lamp (fluorescent or tungsten). So what’s the best way to light a green screen? With diffused, soft lights. Adding too much direct light can disrupt the results. The Chroma Key technique works because the green screen is consistent and monotone. Lighting is integral to green screen footage, but it’s more than throwing some lights on the set and calling it a day.
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